Guilt in Crime and Punishment Essay

If he has a scruples he pass on scram for his mistake. That will be punishment-as well as the prison. (Dostoyevsky 336). Guilt is commonly mum to be an emotion that results as an outcome of an evil act. However, is it always this unprejudiced? No human being with any sense has the ability to broadcast an atrocious crime without some feeling of guilt or self-reproach afterwards. Gradually, this guilt festers and eats away at ones conscience until the spirit level of escape, reached by plea, thus leading to salvation.Throughout Dostoyevskys abuse and Punishment the main character, Raskolnikov is stricken with guilt and suffering that eventually leads to his confession and redemption. In todays modern America, and Raskolnikovs 18th degree centigrade Russia, guilt plays a pivotal role in transforming an individuals moral compass and influences ones actions. In the opening of the novel, Raskolnikov intellectualizes the crime by convert himself that there are people in his un iverse of discourse who are extraordinary, and that he is above the law by being one.He believes he is one of the elite, who will be able to commit the murder and escape two physical and emotional punishment. Rodia believes that the murder can be justified because of the incident that Allionia is wicked, and purposeless. Raskolnikov does not feel guilt in the crime until he realizes that no good had come from the murder, and Lizoveta who was an innocent person, had died as well as Allionia, making Rodia feel dreadful for his actions. Guilt has had, and always will feed a variety of influences on people, and in Crime and Punishment, Raskolnikov physically shows penitence in different situations.Raskolnikov is constantly paranoid and anxious which demonstrates his extreme shame, without him having to actually confess his guilt. For example, Raskolnikov was aware of a terrible disorder within himself. He was afraid he could not keep himself under control. (Dostoyevsky 91). As rea ders, we conform to his shame progress from before the murder, to when he bottles it all up to the point of explosion. Some would say that Sonia, not guilt, is the main contri plainlyor to Raskolnikovs confession, but she is actually the instrument that cured his guilt.Sonia was the main vehicle of good in society, so her influence upon Raskolnikov was what society would have preferred Rodia to do to confess. Sonia did hearten Raskolnikov to come clean, for instance, at the end of the book Sonia told Rodia Go to the crossroads, bow drop to the people, kiss the earth because you have sinned against it, too, and say aloud to the whole world I am a murderer Then God will send you life again. (Dostoyevsky 500). Although Sonia did advise him to profess his sins, Raskolnikovs confession comes from his inside(a) yearning to get rid of the shame he is feeling inside.