Picturesque art Germany

beautiful art Ger more Since the a upgrade of the nineteenth century. klassitsiziruyuschie trends in German paint were superseded amatory. In German romanticism prevailed answer direction and on a lower floor the answer conditions , many artists are on the primitive rencheskie pozitsii.Lish in the operations of slightly of them are reflected advanced tendencies epohi.Samye living conditions romantic art - properties manifested in both enactment and landscape. portrayings make the outgo part of the esthetical legacy of Philip Otto Runge (1777-1810), who worked in Hamburg. C overlook to a circle Hamburg - romantic writers, himself a conspicuous theorist of painting, cede more prudence to color and its harmonies , the designer\ntreatise color wave Runge sought solely his short feeling to building complex, far-fetched allegories. He envisageed of Fantastico - - musical theater poem cps tracks Four long time time , only when really magnif glassnt images create d by referring forthwith to reputation. In Self-Portrait (1805), a poetic perceptual experience of reality have with the vigilance hitch analytics, with strict and direct drawing skill. With astonish subtlety and precaution exercised landscape on the background which resented sr. artist - parents , some which at - Axle their grandchildren - Portrait of parents (1806,Hamburg, Kunsthalle). Severely morschinestye brokenhearted faces anxious elderly, smashing contra - dentistry vosprinemat ryalom him cheeked children, who are looking at the world grand kootkrytymi eyes. Its compliments to the man, mention for egosudbu, grasp for the voluminousness and beauty of subjective wildlife re - Runge gives this his work. reputation has become the briny image obektomom Caspar David Friedrich (1774-1840), whose work proceeded mainly Drezdone. In his landscapes the artist expresses admiration for the greatness of sensibility at - childbirth, as well as experience, full macabr e thoughts, pessimism. Izlyub - lennye theme landscapes Frederick woebegone rocky bulks, which he wrote at diametric times of the day, admiring their motionless contours, game light, shimmering modify on boulders. In the late good afternoon or the rising sun, they sometimes lose their materiality, trans- larly in the analogy of mirages - Mountain embellish.\nFriedrich s paintings reflected the struggle and pro- German raroda against Napoleons conquest - tomb of Arminius (1813) and the growing reaction tion hobbling creative forces of the population - Twilight intrust on the ice (1822, both - Hamburg, Kunsthalle). small-arm in the landscapes of Frederick minuscular solitary pulp zaterennaya in the coarse expanses of uninhabited heatless world, or resistless observer contemplating fogged distance, carrying in dream - Two, contemplating the moon (1812-1820, Dresden artistic creation Gallery). More radosnym sensory system different pictures of disposition native - Frid rihu population. poetical sunlit Meadows Greifswald (1820-1839, Hamburg, Kunsthalle), smelling(p) of the wonderful descriptions of nature writers and the romantic poets.